The story of John Constable's cello is a fascinating glimpse into the life of a renowned artist and his lesser-known passion for music. This instrument, crafted in 1802, holds a special place in Constable's legacy, offering a unique perspective on his artistic journey and the influences that shaped his work.
The Artist's Musical Side
What makes this story particularly intriguing is the revelation of Constable's musical talents. While he is celebrated for his landscape paintings, including iconic works like “The Hay Wain” and “View on the Stour near Dedham,” his love for music adds a new dimension to our understanding of his creative spirit. The year 1802 was pivotal for Constable; it marked his acceptance into the Royal Academy and his declaration of becoming a “natural painter.” But it was also the year he acquired this very cello, suggesting a deep connection between his artistic and musical pursuits.
A Friendship and a Mentor
The cello's maker, John Dunthorne Sr., was more than just a craftsman. He was Constable's neighbor, friend, and an early mentor. Dunthorne, a multi-talented individual, worked as a plumber, glazier, and carpenter, yet his true passions lay in painting and crafting musical instruments. The two men shared a special bond, often painting side by side in the picturesque landscapes of East Bergholt. Their correspondence reveals a deep friendship, with Constable updating Dunthorne on his progress in the London art scene. In one letter, Constable even expresses his desire to “attack” the trees with his art, a metaphorical reference to his evolving artistic style.
A Hidden Talent and a Lost Instrument
A sketch in one of Constable's sketchbooks depicts two musicians, one of whom could be the artist himself playing the cello. This, along with wooden figures believed to be carved by Constable, hints at his musical inclinations. The cello, however, had been silent for over a century, having undergone a poor restoration in 1926. It was only recently that the Friends of Ipswich Museum raised funds to bring it back to life, a testament to the enduring appeal of Constable's legacy.
Reviving a Historical Instrument
The restoration process was a labor of love, undertaken by experts James and Sylvie Fawcett. The result? A rich, lovely sound that has captivated cellist Melanie Woodcock, who has been playing the instrument during its restoration. Woodcock, with her local roots, feels a deep connection to Constable's work and his musical endeavors. She will perform on the cello at a public event, accompanied by readings from Susan Owens' new book on Constable, offering a unique, multi-sensory experience for audiences.
A Celebration of Constable's Legacy
The cello will be on display at Christchurch Mansion in Ipswich as part of the Constable 250 festival, marking the 250th anniversary of the artist's birth. This festival, and the revival of Constable's cello, highlight the enduring appeal of his work and the multifaceted nature of his genius. It's a reminder that artists are often influenced by a multitude of passions and experiences, and that their legacies can be discovered and celebrated in unexpected ways.
In my opinion, the story of John Constable's cello is a beautiful example of how art and music can intertwine, shaping the creative process and leaving a lasting impact on culture. It's a story that deserves to be told and celebrated, offering a unique insight into the life and times of one of Britain's greatest artists.
